They were literally made for one another. Try pairing Franklin Gothic with Alternate Gothic No 1 (see also, Nos 2 and 3), also from URW++. 1, Franklin Gothic URW Condensed Demi, SchoolBook Web Regular Suggested pairing: Franklin Gothic with Alternate Gothic and SchoolBook The compressed and extra compressed styles are served with PostScript-based outlines for the best possible rendering results at display sizes. The normal and condensed widths are served with manually hinted TrueType outlines, for crisp rendering at small sizes.
#Franklin gothic font pairing windows#
And Franklin’s utility persists in pixels.įranklin Gothic URW Book (left) and Compressed Demi Italic (right), both on Windows XPįranklin is comprised of twenty-three styles overall, including condensed (with small caps), compressed, and extra compressed widths. Synonymous with industry and manufacturing, this working-class typeface satisfied innumerable printing needs thanks to its availability in incremental weights and widths, which allowed printers to maintain design concepts while making practical decisions at the press. Inspired by then-new German sans-serifs like Akzidenz-Grotesk, Morris Fuller Benton designed Franklin Gothic in the early twentieth century for the American Type Founders. Among web fonts, it’s an instant classic.
Among the oldest of American sans-serifs and the most popular typefaces in history, its character is indisputable. Nhà thiết kế: Morris Benton, Victor Carusoīản Việt hóa cung cấp cho mục đích sử dụng cá nhân dưới hình thức trả phí.Today we’re excited to announce that Franklin Gothic from URW++ is now available on Typekit.
Combine ITC Franklin Gothic with an old style or slab serif typeface and you’ll have copy that’s inviting and classic as an old pair of jeans. A natural for interactive design, it will bring a subtle, handcrafted quality to pages and screens. While ITC Franklin Gothic is essentially a display design intended for larger size settings, it’s also easy on the eyes in short blocks of text copy. For example, the left side of the A is lighter than the right, and the first stroke of the M is lighter than the other three. ITC Franklin Gothic retains all the strength and vitality typical of early American sans serif typefaces.Ĭapitals are wide (typographers would call them “square”), lowercase letters share the proportions and letter shapes of serif typefaces – and character stroke weights echo the serif-styled counterparts in that they have an obvious contrast. Although newer typeface families such as Helvetica®, Univers® and Frutiger® have the same basic proportions and attributes as Franklin Gothic, the similarity ends there. It retains the personality and character of the original typeface, with only a slight increase in x-height and character width to distinguish it from the first version.
The ITC Franklin Gothic is a reimagining of Franklin Gothic, a design that dates back to 1902. The family suite of typefaces is large and adaptable – and is as well-suited to web content and small screens, as it is to billboards and hard copy display ads. If Bruce Springsteen were a typeface, he would be ITC Franklin Gothic. The ITC Franklin Gothic™ family embodies true American grit: it’s square-jawed and strong-armed, yet soft-spoken.